✺ Recommended book ❛ War's Unwomanly Face (Voices of Utopia #1) by Svetlana Alexievich ❜ This book is a confession, a document and a record of people's memory. More than 200 women speak in it, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. More than 500,000 Soviet women participated on a par with men in the Second World War, the most terrible war of the 20th century. Women not only rescued and bandaged the wounded but also fired
✤ Recommended book. Good and Mad. The Revolutionary Power of Women's Anger by Rebecca Traister Journalist Rebecca Traister’s New York Times bestselling exploration of the transformative power of female anger and its ability to transcend into a political movement is “a hopeful, maddening compendium of righteous feminine anger, and the good it can do when wielded efficiently—and collectively” ( Vanity Fair ). Long before Pantsuit Nation, before the Women’s March, and before th
Born in Zambia and now based in New York, Moyo is an economist and author whose books tackle macroeconomic problems around aid, resources and geopolitics. Dr. Dambisa Moyo is a pre-eminent thinker, who influences key decision-makers in strategic investment and public policy. She is respected for her unique perspectives, her balance of contrarian thinking with measured judgment, and her ability to turn economic insight into investible ideas. An alumnus of the Time 100 list of
Chief Executive Officer Unique Quality Product Enterprise Tamale .Ghana Processes and markets fonio, a nutritious and climate resistant indigenous cereal. Has her background in agriculture science from her senior high school level, continued with her university education at university for development studies, she offered BSc. Agriculture Technology and majored in Economics and extension. She further proceeded to do her postgraduate degree in MPhil Agricultural Economics. Sinc
Lebohang Kganye Wins Prize (Grand Prix Images Vevey 2021-2022)for her Staging Memories Project ❛ Staging Memories is rooted in specific post-Apartheid realities, but it calls out with a clear voice across the world, confirming once again that history is always local as well as global. In Lebohang Kganye’s capable and fearless hands, we are given an opportunity to encounter the world in new frames: playful and dark, accessible and challenging, steadily mournful and indomita